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Surrogacy is a very complicated matter, legally: It comes from the need to help and to have the ability to give something to somebody.” Unfortunately, things go pear-shaped in what Sinclair calls, “a series of triggers.” When Laura sees this girl for the first time, she can see the power behind this girl’s desire to help somebody. So why on earth would they pick this girl who is 20-years-old, has never had a kid to have their baby? But I realized it came from a true, authentic place. I talked to the people and they were kind to me, and she gave her card to me and said, ‘If you ever want to donate your eggs, come back.” They said the prime candidate for an egg donor is someone who is in their thirties, has their own kids and doesn’t want to but loves being pregnant. Then I went to see a surrogacy office, because I was curious about what it would actually feel like. That was the idea that I came into it with. “Originally I thought that it was her boyfriend Mike. Sinclair explained why Anna wants to be a surrogate. There is a lot to this character,” she said. Newcomer Sinclair did a lot of research into surrogacy: And she looks up at the bedroom when they’re making love…the one we finally found was just spectacular.” We got a chance to see the interior and it was stunning. Them looking at each other and him looking at her through the window. We found one with a pool house that we made a guest house…a lot of the movie deals with Anna staying in the guest house and the Taylors staying in the main house. Not a lot of guest houses in New Orleans…we never found one with a guest house. The house in LA was a big character, but the houses here are very different from the houses in LA, especially at that caliber. What happens in the film, the house is a big character. Let’s put him in the movie.’ It’s kind of fun that way. So we have-we have John Boutte playing at a party, a local jazz player, this guy that we just…went to see. We could have done that, but I think all of us agreed right away that we loved the idea of New Orleans, and instead of fighting it, we wanted to embrace it. Sometimes it’s easy to transition from one city to another, and sometimes you go to one city and pretend it’s another city. New Orleans and the house itself are characters in this movie:Ĭaesar told us, “The film was written for LA. It didn’t hurt that it was shot in the bayou in the wee hours of the morning, and the crew (and reporters) were unusually close to the action. While we won’t spoil who it is for you, we can say that the scene was shot in front of John and Laura’s gorgeous house, involves a car and even watching it from the sidelines, we could feel the tension. We watched a scene where one of the characters has lost it and is threatening some of the other characters with a gun. There is going to be a major confrontation with firearms and a car: If they’re arguing on the way home, I did my job.” I always say, if there’s a husband and wife watching the show, one thinks it’s one way, one thinks it’s the other way. And then it’s fun for the audience to play along and go, what would I do?” He continued, “ There is a decision that has to be made. “What attracted me to this was putting characters in a situation that has a moral choice. “Nobody’s black or white,” he said on set. Caesar said that, like on 24, you really don’t know who’s a good guy and who’s a bad guy. He told us that the show was really fast-paced and his actors said he works really quickly in film as well. Cassar is known for his work on the TV show 24.
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